In the book Shadows/Echoes Marianne is investigating on our perception and interpretation of the photographs approach to reality. The work was conducted over a two-year period where the artist travelled around Iceland to research and document a system of believes where the existence of elves and fairies is not seen as marginal. 53% of Icelandic people either believe or do not deny their believes in elves, and great consideration is taken in development and use of landscapes and
Through the 30 documents that forms the project, the wish to convince and
to be convinced is set up against technical findings and evidences; a discussion
about the generated and the real. Through a rather ”naive” attempt to document the existence of the elves the artist collected photographs from the Reykjavik Photography Museum’s archive, testimonies from the National Museum of Iceland and transcribed conversations with clairvoyants, together with her own photographs of places with an assumed elf population. We see multiple clashes intertwined with the interpretation of this material: the presented images are in their own way confronting constructed realities, myths and confessions, and at the same time questioning the photograph’s role as documentation and as proof.
The gathered documents is presented in the book, as an archive that may seem
arbitrary yet carefully composed; with no “valid” proof of the hidden world, the material operates as a link between the existing reality and the possibility of another. Shadows/Echoes exploits, on the one hand, the photograph’s ability to display complex accounts of the visible and the less visible, and on the other hand, the viewers own insights and doubts.
Marianne Bjørnmyr holds a MA in Photography from London College of Communication.